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Analyzes how White American mainline Protestants used the internal musical controversies of the turn-of-the-millennium Worship Wars to negotiate their shifting position within the nation's diversifying religious and sociopolitical ecosystems.
Church music --- Public worship --- Protestant churches. --- Social aspects
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The second volume of the New Senfl Edition (NSE) provides thesecond half of the motets for four voices and includes manyhitherto unknown works by Senfl (some of them fragments),renowned motets, such as Senfl’s Nisi Dominus, or thepolyphonic setting of Non moriar sed vivam, which Senfl sent to Martin Luther in 1530 as a consolation. Editions will also render three Salve settings (including a Christological adaption), a multitextedRegina caeli, as well as nearly all of Senfl’s humanist motets (Quid vitam sine te, Sum tuus in vita (i), Tristia fata boni)accessible. The Critical Reports accompanying the editions offer information on every motet with regard to the texts set to music, the plainchant models, an evaluation of the sources (incl. a synoptic overview of variant readings), as well as details on thehistory of each composition. Der zweite Band der New Senfl Edition (NSE) stellt die zweiteHälfte der vierstimmigen Motetten zur Verfügung und beinhaltet zahlreiche bislang unbekannte Werke (darunter mehrere fragmentarisch erhaltene Stücke), bekannte Motetten wie Senfls Nisi Dominus oder das als Trostmotette an Martin Luther 1530 gesandte Non moriar sed vivam. Darüber hinaus macht die Edition drei Salve-Vertonungen zugänglich (darunter eine christologische Adaption des marianischen Textes), ein mehrtextiges Regina caeli, und nahezu Senfls sämtliche humanistische Motetten (Quid vitam sine te, Sum tuus in vita (i), Tristia fata boni). Die mit den Editionen einhergehenden Kritischen Berichte bieten Informationen zu jeder Motette mit Blick auf die Texte, Choralvorlagen, einer Quellenbewertung (inkl. einer synoptischen Darstellung der Lesarten), sowie einenwerkgeschichtlichen Kontext.
Ludwig Senfl, Motette, Edition, Renaissance, Vokalmusik, Reformation, Humanismus --- ÖFOS 2012, Musikwissenschaft --- ÖFOS 2012, Kirchenmusik --- ÖFOS 2012, Aufführungspraxis --- ÖFOS 2012, Kulturgeschichte --- Ludwig Senfl, Motette, Edition, Renaissance, Vocal music, Reformation, Humanism --- ÖFOS 2012, Musicology --- ÖFOS 2012, Church music --- ÖFOS 2012, Performance practice --- ÖFOS 2012, Cultural history
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The third volume of the Neue Senfl Edition (NSE) publishes all five-part motets for the first time. In addition to well-known motets such as Ave, Rosa sine spinis or the five-part version of Senfl's Nisi Dominus, it also contains numerous first editions (such as the monumental Te Deum) and provides valuable insights into Senfl's handling of the tradition of combining several texts in one composition. The critical reports accompanying the edition provide information about the texts, the chorale models, the evaluation of the sources (including a synoptic presentation of the readings) as well as the work-historical context of each motet. Der dritte Band der New Senfl Edition (NSE) publiziert erstmals sämtliche fünfstimmigen Motetten. Er beinhaltet neben bekannten Motetten wie Ave, Rosa sine spinis oder der fünfstimmigen Fassung von Senfls Nisi Dominus auch zahlreiche Ersteditionen (wie etwa das monumentale Te Deum) und gibt anhand von mehreren Motetten Aufschluss über den Umgang mit der Tradition mehrere Texte in einer Komposition zu kombinieren. Die mit den Editionen einhergehenden Kritischen Berichte bieten Informationen zu jeder Motette mit Blick auf die Texte, Choralvorlagen, einer Quellenbewertung (inkl. einer synoptischen Darstellung der Lesarten), sowie einen werkgeschichtlichen Kontext.
Ludwig Senfl, Motette, Edition, Renaissance, Vocal music, Reformation, Humanism --- ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Musicology (604024) --- ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Church music (604017) --- ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Performance practice (604003) --- ÖFOS 2012 -- HUMANITIES (6) -- Other Humanities (605) -- Other Humanities (6050) -- Cultural history (605002) --- Ludwig Senfl, Motette, Edition, Renaissance, Vokalmusik, Reformation, Humanismus --- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Musikwissenschaft (604024) --- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kirchenmusik (604017) --- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Aufführungspraxis (604003) --- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Andere Geisteswissenschaften (605) -- Andere Geisteswissenschaften (6050) -- Kulturgeschichte (605002)
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In the present volume sacred motets composed by members of the chapel of the Archduke and later Emperor Maximilian II – among them Jacobus Vaet, Philippe de Monte and Jacob Regnart – are documented and analysed for the first time. The chapel and its repertoire cultivated at the court not only served as a means for the representation of the court but also needed to comply with the emperor’s personal artistic and religious wishes. Maximilian II officially confessed to the Roman-Catholic church but personally sympathised with the Reformation. Therefore, the analysis of the texts and music addresses also the question of how the gap between the Roman-Catholic ceremony at court and the emperor’s personal faith is reflected in motets. Dieser Band verzeichnet und erschließt erstmals das von Mitgliedern der Hofkapelle des Erzherzogs und späteren Kaisers Maximilian II. – unter ihnen Jacobus Vaet, Philippe de Monte und Jacob Regnart – komponierte geisteliche Motettenrepertoire. Die Musikpflege einer Hofkapelle dieser Zeit diente nicht nur der höfischen Repräsentation, sondern musste auch den künstlerischen und religiösen Vorlieben eines Herrschers genügen. Da Maximilian II. trotz seines öffentlichen Bekenntnisses zum Vatikan Sympathien für die Reformation hegte, gehen die umfangreichen Analysen der Texte und Kompositionen auch der Frage nach, wie sich diese Diskrepanz zwischen romtreuem Hofzeremoniell und dem persönlichen Glauben des Herrschers im Motettenschaffen seiner Hofmusiker widerspiegelt.
Renaissance, Polyphonie, Motette, Habsburger, Maximilian II., Konfessionalisierung, Quellenstudien --- Ã FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kirchenmusik (604017) --- Ã FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Musikgeschichte (604022) --- Ã FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Musikwissenschaft (604024) --- Ã FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Andere Geisteswissenschaften (605) -- Andere Geisteswissenschaften (6050) -- Kulturgeschichte (605002) --- Ã FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Philosophie, Ethik, Religion (603) -- Sonstige Religion, Religionswissenschaften (6039) -- Religionsgeschichte (603908) --- Renaissance, Polyphony, Motet, Habsburg Court, Maximilian II, Confessionalization, Source Studies --- Ã FOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Church music (604017) --- Ã FOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Music history (604022) --- Ã FOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Musicology (604024) --- Ã FOS 2012 -- HUMANITIES (6) -- Other Humanities (605) -- Other Humanities (6050) -- Cultural history (605002) --- Ã FOS 2012 -- HUMANITIES (6) -- Philosophy, Ethics, Religion (603) -- Religion, Religious Studies not elsewhere classified (6039) -- History of religion (603908)
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Few western musical repertories speak more to the imagination than the Requiem mass for the dead. 'The Book of Requiems' presents in-depth essays on the most important works in this tradition, from the origins of the genre up to the present day. Each chapter is devoted to a specific Requiem, and offers both historical information and a detailed work-discussion. Conceived as a multi-volume essay collection by leading experts, 'The Book of Requiems' is an authoritative reference publication intended as a first port of call for musicologists, music theorists, and performers both professional and student. 0Volume I treats the Requiem?s liturgical and chant background, the craft of early Requiem composition, and eight of the earliest composed Requiems, from c. 1450 to c. 1550.
Requiems --- Mass (Music) --- Masses --- Church music --- Lord's Supper (Liturgy) --- Requiems, Arranged --- Requiems (Mixed voices) --- Funeral music --- History --- History and criticism --- Catholic Church --- Catholic Church. --- Music --- Requiems. --- History. --- Sermisy, Claudin de, --- Richafort, Jean, --- Fevin, Antoine de. --- Escobar, Pedro de, --- Prioris, Johannes, --- Brumel, Antoine, --- La Rue, Pierre de, --- Ockeghem, Johannes, --- Mass, day of death or burial (Pre-Vatican II : Catholic Church) --- Divitis, Antonius, --- Févin, Antoine de. --- Mass on the day of death or burial (Catholic Church) --- Mass on the day of death or burial (Pre-Vatican II: Catholic Church) --- Mass, In die obitus seu depositionis defuncti (Pre-Vatican II: Catholic Church) --- Requiem Mass (Day of death or burial : Pre-Vatican II: Catholic Church) --- Missa pro defunctis (Day of death or burial : Pre-Vatican II: Catholic Church) --- Funeral Mass (Pre-Vatican II: Catholic Church) --- Mass, Burial (Pre-Vatican II: Catholic Church) --- Messe des morts (Pre-Vatican II: Catholic Church) --- Requiem (Pre-Vatican II: Catholic Church) --- Messe des défunts (Pre-Vatican II: Catholic Church) --- Gregorian Requiem Mass (Catholic Church) --- History and criticism. --- Analyses --- Muziekgeschiedenis --- 15e eeuw --- 16e eeuw --- muziekgeschiedenis --- religieuze muziek --- requiem --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- Requiem mass - Latin - 15th century --- Requiem mass - Latin - 16th century --- Fevin, Antoine de --- Sacred vocal music
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